European Youth Choir
for the final concert of the Beethoven Anniversary Year 2020
11 – 19 December 2020 | Bonn, Germany
event in partnership with:
The Beethoven Anniversary Year 2020 comes to a close on December 17, 2020, the 250th anniversary of Beethoven’s baptism day. Marking the occasion, Daniel Barenboim and his West-Eastern Divan Orchestra will perform Beethoven’s Symphony No. 9, together with a hand-picked European Youth Choir which you can be part of! A follow-up concert will take place on 18 December in the BOZAR in Brussels, Belgium.
West-Eastern Divan Orchestra
The West-Eastern Divan Orchestra has been a significant presence in the international music world for 20 years. In 1999, Daniel Barenboim and the late Palestinian literary scholar Edward Said created a workshop for young musicians from Israel, Palestine and several Arab countries to promote coexistence and intercultural dialogue. They named the orchestra after Johann Wolfgang von Goethe’s collection of poems entitled “West-Eastern Divan”, a central work for the development of the concept of world culture.
The West-Eastern Divan Orchestra’s first sessions took place in Weimar and Chicago. An equal number of Israeli and Arab musicians form the base of the orchestra, together with musicians from Turkey, Iran and Spain. They meet each summer for a workshop, where rehearsals are complemented by lectures and discussions and followed by an international concert tour.
The West-Eastern Divan Orchestra has proved time and again that music can break down barriers previously considered insurmountable. The only political aspect that prevails in the work of the Divan is the conviction that there is no military solution to the Arab-Israeli conflict, and that the destinies of Israelis and Palestinians are inextricably linked. Through its work and existence, the West-Eastern Divan Orchestra demonstrates that bridges can be built to encourage people to listen to the narrative of the other. While music alone cannot resolve the Arab-Israeli conflict, it grants the individual the right and obligation to express himself fully while listening to his neighbour. Based on this notion of equality, co-operation and justice for all, the orchestra represents an alternative model to the current situation in the Middle East.
The Orchestra’s repertoire extends beyond symphonic works to opera and chamber music performances. Concert highlights have included performances at the most prestigious venues in Europe, Asia and the Americas. While the West-Eastern Divan Orchestra has become a regular guest at the main international music festivals in Europe, one of its goals is to perform in the home countries of its members. Concerts in Rabat, Doha, Abu Dhabi and the emblematic concert in Ramallah in 2005 have been steps towards fulfilling this aspiration. The orchestra has also performed at the United Nations: in December 2006 in honour of Secretary General Kofi Annan at the General Assembly in New York and in October 2015 for the first time at the UN headquarters in Geneva. UN Secretary General Ban Ki-Moon named Daniel Barenboim UN Messenger of Peace in September 2007 and designated the West-Eastern Divan Orchestra as a United Nations Global Advocate for Cultural Understanding in February 2016.The West-Eastern Divan Orchestra has released a number of highly acclaimed CDs/DVDs.
The most recent addition to Barenboim-Said projects is the Barenboim-Said Academy Berlin. Edward Said and Daniel Barenboim consider music to be an integral part of society. Daniel Barenboim has written and lectured widely on the subject of Education Through Music rather than mere music education (cf. his 2006 Norton Lectures at Harvard University, expanded into the Book Everything is Connected, London: Weidenfeld and Nicolson, 2008). Since 2015, talented young musicians from the Middle East also study at the Barenboim-Said Akademie in Berlin. In the fall of 2016, this university for Music and the Humanities housed in the renovated former stage depot of the State Opera started enrolling up to 90 students in a four-year bachelor program. Also housed in the same building as the academy is the Frank Gehry-designed Pierre Boulez Hall that enriches Berlin’s musical life started in March 2017.
The choir will consist of 86 young ambitious singers from all over Europe. We are happy to announce that Simon Halsey will be the conductor of the choir. In addition to the Symphony No. 9, an a cappella-programme to be performed in the frame of a church service commemorating Beethoven’s baptism day will be part of the choir’s repertoire.
A second concert of Beethoven’s 9th on 18 December will be staged in the BOZAR in Brussels, Belgium.
Simon Halsey occupies a unique position in classical music. He is the trusted advisor on choral singing to the world’s greatest conductors, orchestras and choruses, and also an ambassador for choral singing to amateurs of every age, ability and background. Making singing a central part of the world-class institutions with which he is associated, he has been instrumental in changing the level of symphonic singing across Europe.
He holds positions across the UK and Europe as Choral Director of London Symphony Orchestra and Chorus, Chorus Director of City of Birmingham Symphony Orchestra Chorus, Artistic Director of Orfeó Català Choirs and Artistic Adviser of Palau de la Música, Barcelona, Artistic Director of Berliner Philharmoniker Youth Choral Programme, Director of BBC Proms Youth Choir; Artistic Advisor of Schleswig-Holstein Musik Festival Choir, Conductor Laureate of Rundfunkchor Berlin and Professor and Director of Choral Activities at University of Birmingham.
Halsey’s numerous awards include three Grammys for his recordings with the Rundfunkchor Berlin. He was made Commander of the British Empire in 2015, was awarded The Queen’s Medal for Music in 2014, and received the Officer’s Cross of the Order of Merit of the Federal Republic of Germany in 2011 in recognition of his outstanding contribution to choral music in Germany.
Born in London, Simon Halsey sang in the choirs of New College, Oxford, and of King’s College, Cambridge and studied conducting at the Royal College of Music in London.
We are looking forward to your application if you are
- between 18 and 30 years of age by December 2020
- a very good singer with choir experience
- prepared and able to study the music in advance and to sing by heart during the concerts
- citizen of or resident in one of the EU-member countries or neighbouring European countries
- able to follow choir rehearsals in English
- available from 11 – 19 December 2020
Accomodation and food during the project will be covered and a subsidy to travel costs will be given.
How to audition?
If you want to be part of this unique project, please find here the call for singers.
To apply, fill in this form and upload a short CV of yours and the required recordings. You will find the excerpts from Beethoven’s 9th by clicking on the links at the right hand-side (instructions & passages 1 – 4). Please record the choral parts in your respective voice only, do not record the solo parts!
Please note that the excerpts may only be used for the auditioning process. The material may not be used to perform in any context.
>> Link to upload your files. Please make sure to upload all the requested files, i.e. a short CV including a picture of yourself, the recordings of the excerpts of the 9th, a recording of a Bach-aria of your choice and a recording of a 19th/20th century Lied or aria of your choice and exercises showing the range of your voice. The recordings may be with or without piano accompaniment.
Deadline: 23 February, 2020 | Decisions will be taken by March 2020.
For any questions, please feel free to contact alfred.jurgens@EuropeanChoralAssociation.org
with the support of: