European Award for Choral Composers

The European Award for Choral Composers is the continuation of the “Golden Tuning Fork” Award, organised by AGEC over many years, and was first organised by the European Choral Association – Europa Cantat in 2011/2012.

The aim of the award is to discover unknown or less known choral works from different European countries, already published and/or performed or written for the occasion, that are good and interesting and can be performed by a good average choir, not just by a top-level choir.

2017/2018

Winners of the 2017/18 Edition

On September 20th 2017 the Jury of the European Award for Choral Composers, comprised of Jonathan Rathbone (UK, chair), Ivo Antonigni (CH), Ágnes Erdélyi (HU), Cecilia Martin-Löf (SE), Raul Talmar (EE) with the advice of Jan Schumacher (DE), chair of the Music Commission of the European Choral Association – Europa Cantat, chose the winning compositions of the 2017/8 edition.

For the 3rd edition 2017/18 member organisations of ECA-EC were again invited to submit compositions for the following categories: 1. a cappella choir, 2. choir and instruments, with a maximum of 3 works per category to be submitted by one organisation.

51 compositions from 41 composers were submitted to the competition by 17 member organisations in 16 European countries, a clear increase in comparison with the previous edition. 38 compositions were submitted in category 1, 13 in category 2.

In category 1 (a cappella) the jury decided to share the prize among two winning composition:

  • “Cantate Domino” (2012) for male choir, composed by Balatoni Sándor (HU *1983)
  • “Mesedoboz” (2015) for female choir, composed by Peter Tóth (HU * 1965)

In category 2 (with instruments) the Jury chose one winning composition:

  • “Jubilate Deo” (2012) for female choir, 2 violins and small percussion instruments, composed by Gyöngyösi Levente (HU * 1975)

All three compositions were submitted by the Hungarian Association for Choirs and Orchestras (KÓTA), the jury received anonymous scores and was not aware of the nationalities of the scores with Latin text.

The winning composition were awarded 300 EUR each and will be performed at the festival EUROPA CANTAT XX in Tallinn, Estonia, between July 27th and August 5th 2018 by one of the guest as part of a special evening concert.

The next edition of the European Award for Choral Composers will be organised in 2020, with the winning compositions being performed in the Festival EUROPA CANTAT XXI in 2021.

Read the full conditions of the competition

2014/2015
The second edition of the European Award for Choral Composers was organised in 2014, with the winning compositions being performed in the Festival EUROPA CANTAT XIX in 2015.

RESULTS

On September 18th 2014 the Jury of the European Award for Choral Composers chose the winning compositions of the 2014/5 edition. 39 compositions from 31 composers were submitted to the competition by 11 member organisations in 9 European countries, with 26 compositions in category A (a cappella), 11 in category B (with instruments) and 2 in category C (vocal jazz).

In category A the jury chose one winning composition, the “Missa Brevis” (2013) for mixed choir, composed by Hans Helsen (BE * 1989), submitted by the Flemish association Koor&Stem

In category B the Jury chose no winner but decided on two “special mentions”

1. “Fairy Ring” (2012) for female choir and harp, composed by Maarten Van Ingelgem (BE *1976), submitted by the Flemish association Koor&Stem

2. “Diptychon” (2011) for female choir and violin, composed by Henrik Colding-Jorgensen (DK * 1944), submitted by the Danish association for Amateur Music DAM

2011/2012

On April 16th 2012 the winning compositions of the European Award for Choral Composers was selected.

38 compositions from 11 countries were submitted to the competition, the jury selects 3 winners from choral compositions submitted from all over Europe, two special mentions were also awarded.

Winner of Category A:

  • “Bestiaire fantasque“ (2011) for children’s choirs, composed by Pierre Chépélov (FR *1979), Text Claude Roy
    Not published, publication currently not planned, first performance planned for June 2012
    Contact the composer: pierre@chepelov.org
  • “Bestiare fantasque” was performed in the frame of the festival EUROPA CANTAT XVIII by the female voices of the choir Meridies (Argentina), on July 31st 2012 at the Conservatory.

Winners of Category B:

  • “Gloria Kajoniensis” (2008 – Kontrapunktmusic) for female choirs,
    composed by Levente Gyöngyösi (HU *1975)

Published by Kontrapunkt Music Publishing | Listen to the work

Contact the composer: gyongyosi.levente@gmail.com
“Gloria Kajonensis” was performed performed in the frame of the festival EUROPA CANTAT XVIII by the Hungarian choir Magnificat on August 4th S. Domenico Church.

  • “1914” (2009) for male choirs, composed by Maarten Van Ingelgem (BE *1976)

Not published, publication currently not planned, work not recorded, yet.

Contact the composer: maartenvaningelgem@gmail.com
1914 was performed in the frame of the festival EUROPA CANTAT XVIII by the Estonian National Male Choir in Auditorium Giovanni Agnelli on August 2nd 2012.

Special Mentions in Category A:

  • “Kuule mu palve häält“ (Hear My Prayer – 2011) for male choirs, composed by Pärt Uusberg (EE *1986)

Not published, publication currently not planned.

Contact the composer: Partuusberg@hotmail.com

  • “The Train” (2011/12) for mixed choirs, composed by Uršula Jašovec (SI *1986)

Not published, publication currently not planned.

The work was originally published for female choirs, arranged a little differently

Contact the composer: ursula.jasovec@gmail.com